Tech Talk 2.0: Let the Games Begin

A few years ago after our annual staff retreat (did you see our picture on Facebook?), I mentioned casually that I prefer chamber music to a full-scale orchestral explosion. I was riding “shotgun.” Alan Jordan, VSO Executive Director, was behind the wheel. He half-jokingly remarked, “I should drop you off on the side of the road, right here.” We were in Moscow, Vermont. Alan took this comment as a direct hit on what the VSO is doing: presenting orchestral works and using that medium to educate children (and others) about music and its value. Explaining what qualities in chamber music attract me is related to explaining why I love Vermont (I live in Burlington), and why I hated living in Boston (for all of nine months); it is a matter of personal connection. A stage populated with 70 players plus a conductor seems faceless to me. I find it hard to connect to the human side of the music, especially when my passage is blocked by a sonic wall of bombastic brass. (This is one of the reasons I adore our “Life is a Symphony” musician profiles. The chamber concert is an intimate affair. Two, three, four, five people on stage at a time. The music is quieter, begging for your attention. The chamber musician’s attire is slightly more ostentatious than that of her orchestral sister. Admiring said clothing is an excellent way to get through an unfortunate programming of, say, Kurtag, not to mention simply marveling at the aerobic body ticks and facial contortions required of these performers.

You are now thinking, Why is this VSO person hating on what she is supposed to be promoting? Well, maybe not in those exact words. This is a viable inquiry. Thankfully, the VSO is made up of several multi-talented individuals who make a multi-faceted organization possible. The VSO provides best of both worlds – orchestral and chamber music. Jaime Laredo is the personification of this versatility. He conducts the VSO, solos with the VSO, plays in a trio with his wife Sharon Robinson and long-time friend and pianist Joseph Kalichstein, and he is Music Director of the VSO. I’m excited to report we have just begun our annual fall foliage tour, which happens to feature a smaller orchestra, that is, a chamber orchestra. The Made in Vermont tour is at the heart of the VSO’s mission: quality programming accessible to all. We are touring to smaller communities statewide (and playing in some cool little venues). OK, so the musicians might not be dressed in their best Versace gown, but smaller scale venues allow for a more intimate concert experience. Made in Vermont is special for another reason, one that is decidedly more Vermont than Boston. Each year, we commission a piece for the tour by a Vermont composer or one with close Vermont ties. The piece is made in Vermont. Get it? This year’s composer is Derrik Jordan of East Dummerston. He has composed a piece about an Abenaki myth that explains how Lake Champlain was made. (Made in Vermont. Get it?) I’ll leave the retelling to Derrik. In addition to this piece (which you can learn more about by watching a ten-minute video interview with Derrik on our blog), the program includes an arrangement of a Mozart String Quartet, Bizet’s light-hearted Jeux d’enfants (Children’s Games), and Haydn Symphony No. 82 (“The Bear”). The Bizet may have been programmed as a shout out to our French friends (one of which was Samuel de Champlain), but it is occurring to me now that it is a fitting piece for a tour happening not only around the beginning of another school year, but also at state colleges around Vermont. I guess you could say the students at Vermont State Colleges are scholars being made in Vermont. Get it? OK, OK, I promise I won’t do that anymore. Every one-time college student knows the games commence once mom and dad are back on the interstate heading home. Perhaps this isn’t what Bizet had in mind (he was probably thinking more along the lines of hopscotch, as opposed to sip scotch). Check out the complete tour on our website. Thankfully for us all, the VSO’s musical foray doesn’t end on October 4 at 9:30 p.m. in Woodstock. Our dichotomous orchestral/chamber programming continues throughout our 75th anniversary season (lucky you!).

Exactly one month from our opening concert, on October 24, the VSO will present its first Masterworks series concert at the Flynn Center in Burlington. This program was supposed to happen in March of 2008, but we experienced one of those rare “acts of God” contracts always allude to, but never actually happen. The lights went out. The ice on the branches of trees and on power lines was too much and the grid went dark. At least it did in the southern part of Burlington and in Winooski, as well. The Flynn was shrouded in darkness; or at least dimly lit by emergency luminance. What would have been a real bummer of an evening was redeemed by the evening’s soloist, Soovin Kim, who walked on stage in the darkness and played some solo Bach. Chamber music at the Flynn? Preposterous! It was his impromptu performance that stands out in the attendees’ memories. When asked about it, people always mention Soovin, not the nasty weather outside, not the inconvenience of it all. I’d like to think some people remember the fact that they were able to trade in their March 8 ticket for a dazzling chamber recital in May of that year including Soovin, Jaime, Sharon Robinson, and principal flutist Albert Brouwer. Many sentences later, this digression serves to announce that our October Masterworks concert this year will be an exact replica of that concert, minus the darkness and confusion. Going back to the orchestral vs. chamber thing I’ve been yakking about: it is the concerto, I believe, that successfully fuses orchestral music to chamber music. This is where these two genres collide. On one hand, you have the big orchestra creating the sonic wall. However, that is balanced with the sensitivity of that one player who makes the human connection, to pull on your heart strings, to make the performance intimate, to be the face of the music. On October 24, that role will be handled by Soovin Kim playing Sibelius’ Violin Concerto. I hate to gloat, Burlington, but despite the weather on March 8, the whole gang of us traveled down to Rutland the next day for a repeat peformance (as part of our Sunday Matinee Series) and I can report it was the kind of piece and the kind of playing that makes every hair on your body stand on end. I sat as close as I could (which is pretty close at the Paramount in Rutland). I mean, I could see the rosin dust lightly wafting around Soovin, creating something like magician’s smoke. There was sorrow and yearning and what felt like a long journey being told in his playing. I was told this was the first time Soovin performed this particular concerto. A year and a half later, I’m dying to see the same program again, if only to observe the maturity of the piece under this particular violinist.

I’m only going to go that far, but it should be known that we are eagerly awaiting the arrival of January because in late-January we welcome Andre Watts, world-famous pianist, for a three-concert run of Beethoven’s Emperor Concerto. In March, we continue the three-year trend of programming double concertos written for Jaime Laredo and Sharon Robinson. This year’s pick? A Child’s Reliquary by Richard Danielpour. Our Masterworks finale this year, in May, will be one bombastic in-your-face piece that is more than OK in my book: Verdi Requiem. More later! I didn’t even really talk about what’s been happening on this tour. I suppose we are only one day in….

Wow, I just pumped myself up. I hope I did the same for you. After all, it is your Vermont Symphony Orchestra. Still yours after all these years (75, to be exact).

Some pics from day one:



This tree was exactly one half red, one half green.




I figured out I could nest my grapes in my truck steering wheel.
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Tech Talk: Now That It's Over

Hello, again, friends! This is your Technical Director, Rebecca, reporting on the now-complete Summer Festival Tour. I have to admit, I was shooting to post more than I did during the tour. What stopped me? Well, for one, getting wifi in the middle of a field in Vermont is not something one can count on (maybe I'll get an iPhone for next year?!). Secondly, I wasn't expecting to be so darn tired during this tour. Am I getting too old? I am almost 26, after all. More likely, it was the rainy days that sapped my energy. Despite my slacking during the tour, I wanted to write one last time before hanging up my walkie-talkie until next year (oh, how I miss those walkie-talkies!).

The goal in writing these blog posts was to shed some light on the immense manpower behind this tour, and the around-the-clock caravan of crews, musicians, and audiences that make it all happen. There are many, many people involved in this production. Let's start from the beginning:

6 a.m. Tent crew erects tent (and I'm still sleeping off the day before!)
9 a.m. Stage crew builds stage (John Miller ROCKED!)
12 p.m. VSO crew (pictured below, from left, Micah, Sean, me, and Emily) and sound and lights crew arrive

3 p.m. VSO Volunteer Coordinator (Ralph Thomas below, with light sabers and Christopher Jordan) and VSO box office staff (pictured below, Samantha Talbot and Mike Peluse) arrive


4 p.m. Volunteers arrive (pictured below are Karl Brosch, volunteer co-coordintor, with volunteer Pat Pranger), Don and Ellie arrive, our SUPER VOLUNTEERS staffing the merchandise table



5 p.m. Gates open, caterers arrive (on the good days, at least)
7:30 p.m. Concert! (Panoramic shot by Bill Jalbert)

c. 9:30 p.m. Fireworks! (Photo by Bill Jalbert)


Nine concerts over eleven days. Can't wait for next year. See all the photos from tour on our Facebook page.
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Tech Talk: Automotive Double Trouble & Highway Sweatshirts

Another installment of "Tech Talk" by me, Rebecca Kopycinski, VSO Summer Festival Tour Technical Director. The most memorable happenings on tour are usually the ones that involve a crisis situation. One such event that has gone down in history occurred in Grafton, Vermont – a town which, at that time, was a cell phone black hole (a tower has since been affixed to the roof of the Old Tavern!). Our truck stopped and refused to start as we left the concert field. It was midnight or so, July 3, two and a half hours from home. Thankfully, the problem was diagnosed and we moved along (we added water to the coolant reservoir!). Ever since that near-tragedy, I’ve been very aware of our vehicle functionality, hoping to avoid possible crises. The crew travels in two vehicles: a 26-foot Ryder truck with a ramp and lift gate and a Dodge Caravan. As a precaution, and because the inspection is due in June, we always take the van in for servicing before the tour. This year it was also fitted with new brake rotors. Long story short, several people assured me that a horrible odor and some smoke emitting from the wheel wells is normal for new rotors. Two weeks later, the thing is billowing smoke. Needless to say, I’ll post pictures of our loaner vehicle later!! One never wants to test the limit of shoddy brakes on a very long journey! And our truck, oh our truck. It bucks. Around 40 mph. We’ll be dropping it off around midnight this evening at Ryder for a quick check-up tomorrow morning. Boo. If the problem can’t be fixed by 9 a.m., they will give us a new truck. Boo. This means unloading and reloading 26 feet of gear before 9 a.m. Boo. I’ll keep you updated.

Moving on to more pleasant topics, our VSO merchandise is looking fantastic this year! See pictures below and don’t hesitate to stop in at our merchandise tent at any of the concerts. Part of the title of this post is “Highway Sweatshirts” because I realized the yellow screenprinted hoodie is reminiscent of the road with a dark heather material emblazoned with a double yellow line screenprint!

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"Behind the Scenes on Summer Tour" segment from VSO On Stage

The day has FINALLY come! Today, my crew and I ("I" being Rebecca Kopycinski, Technical Director for the forthcoming 2009 TD Banknorth Summer Festival Tour) meet for the first time to gather the items we need for a successful tour. What might this list of sundry items include? The obvious: chairs, stands, timpani, bug spray, etc. The not-so-obvious: clothespins (to keep sheet music from blowing away!), a hatchet (hey, when you're camping in a field...), a small bin for trash (for when the musician port-o-pottie has no trash receptacle), and lots and lots of little orange flags (instant parking lot). Every year I'm amazed at our traveling caravan made up of musicians, several crews, staff, volunteers, and...YOU! I hope to be able to keep you posted with pictures and commentary during the tour, you know, "Tech Talk." Until my next entry, here's a little segment from our TV show, On Stage. It features me and Assistant Principal Second Violinist Mary Gibson rapping about our side of things -- the behind-the-scenes part of tour that's about to take center stage!


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